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第一至第六屆古代墓葬美術(shù)研究國(guó)際學(xué)術(shù)會(huì)議回顧

Standing as paragon

墓葬美術(shù)是傳統(tǒng)中國(guó)歷時(shí)最久、植根最深的一個(gè)禮儀美術(shù)傳統(tǒng)。隨著考古材料不斷涌現(xiàn)以及綜合學(xué)科成果的啟迪,墓葬美術(shù)已經(jīng)成為一個(gè)非常重要并且不斷發(fā)展壯大的研究領(lǐng)域。

古代墓葬美術(shù)研究國(guó)際學(xué)術(shù)會(huì)議這一學(xué)術(shù)項(xiàng)目始自2009年,兩位主要的發(fā)起人為美國(guó)芝加哥大學(xué)東亞藝術(shù)中心的巫鴻教授和中央美術(shù)學(xué)院文學(xué)院的鄭巖教授。2009年第一次會(huì)議之后,與會(huì)者決定將這個(gè)項(xiàng)目發(fā)展為每?jī)赡暌淮蔚南盗袝?huì)議,為這一新興領(lǐng)域的跨學(xué)科研究和論文出版提供一個(gè)常設(shè)的交流渠道。

從2011年開(kāi)始,主辦墓葬美術(shù)會(huì)議的學(xué)術(shù)機(jī)構(gòu)擴(kuò)展為三家:北京大學(xué)、芝加哥大學(xué)和中央美術(shù)學(xué)院。除了原來(lái)的兩位發(fā)起人巫鴻教授和鄭巖教授,北京大學(xué)視覺(jué)與圖像研究中心主任朱青生教授也加入到組織者的團(tuán)隊(duì)中。

近期,第六屆古代墓葬美術(shù)研究國(guó)際學(xué)術(shù)會(huì)議于2019年8月15-17日在芝加哥大學(xué)北京中心舉辦,是這個(gè)系列會(huì)議的最后一屆。

在下文中,佳作書(shū)局特地整理了第一屆至第六屆古代墓葬美術(shù)研究國(guó)際學(xué)術(shù)會(huì)議的議題,以供讀者一覽近2009-2019年間該研究領(lǐng)域的整體輪廓。

「第一屆」

1 中國(guó)古代壁畫(huà)略說(shuō)

An Overview of Ancient Chinese Murals

楊泓

2 亞洲視野中的秦兵馬俑

The Qin Terra-cotta Army in a Pan-Asian Perspective

克魯

3 論漢代墓室壁畫(huà)的功能

On the Function of Han Dynasty Tomb Murals

黃佩賢

4 引魂靈璧

The Bi-disk as a Conduit of the Soul

巫鴻

5 孔子師老子

“Confucius Meets Laozi” in Han Art

繆哲

6 漢畫(huà)陰陽(yáng)主神考

A Study of Principal Deities of Yin-Yang Forces in Han Pictorial Art

西林

7 中國(guó)中古時(shí)期墓葬中的天界表象——東亞的比較視野

Representations of Celestial Spheres in Medieval Chinese Tombs: A Comparative East Asian Approach

林圣智

8 從沙嶺壁畫(huà)墓北魏平城時(shí)期的喪葬美術(shù)

A Painted Tomb at Shaling and Northern Wei Funerary Art of the Pingcheng Period

徐潤(rùn)慶

9 再論石材——以北朝墓葬為中心

Rethinking Stone as Material with a Focus on Northern Dynasties Tombs

鄭如珀

10 現(xiàn)實(shí)與理想之間——安伽、史君墓石刻圖像的思考

Between Reality and Ideal: A Reflection on the Stone Carvings in the Tombs of An Qie and Master Shi

東方

11 逝者的“面具”——再論北周康業(yè)墓石棺床畫(huà)像

The “Masks” of the Dead: A Reexamination of the Pictorial Carvings on the Stone Funerary Couch from Kang Ye’s Tomb of the Northern Zhou

鄭巖

12 隋唐墓葬藝術(shù)中的佛教文化因素——以唐陵神道石柱為例

Buddhist Elements in Sui and Tang Funerary Art as Seen on the Stone Columns along the Spirit Paths in Tang Mausoleums

李星

13 唐代花鳥(niǎo)畫(huà)研究新視野——墓葬材料引發(fā)的思考

A New Vista in the Study of Tang Dynasty Bird-and-Flower Paintings: Ideas Inspired by Funerary Evidence

劉婕

14 圖像與儀式——宋金仿木構(gòu)磚雕壁畫(huà)墓圖像題材探析

Images and Ceremonies: Decorative Motifs in Painted Brick Tombs of the Song-Jin Period withImitation-Timber Structures

鄧菲

15 勉世與娛情——宋金墓葬壁畫(huà)中的一桌二椅到夫婦共坐

Moral Instruction and Entertainment: From the One-Table/Two-Chairs Motif to the Joint Portraits of Husband and Wife in Song-Jin Tomb Murals

張鵬

16 空間邏輯與視覺(jué)意味——宋遼金墓“婦人啟門”圖新論

Spatial Logic and Visual Significance: Reinterpreting Images Representing Women in Half-Open Doors in Song, Liao, and Jin Tombs

李清泉

17 蒙元壁畫(huà)墓時(shí)代特征初探——兼論登封王上等壁畫(huà)墓的年代

A Preliminary Study of Period Characteristics of Yuan-Dynasty Painted Tombs, with a RelatedDiscussion on the Dates of Painted Tombs at Dengfeng, Wangshang, and Other Sites

董新林

「第二屆」

1 墓中古物:以玉琮為例

Antiques in Tombs: The Case of the Jade Cong

蘇芳淑(香港中文大學(xué)美術(shù)系)

2 墓室壁畫(huà)的發(fā)源地再議

A Review of the Birthplace of Chinese Tomb Murals

黃佩賢(香港城市大學(xué))

3 漢帝國(guó)及其北方鄰國(guó):異域魅惑

The Han Empire and its Northern Neighbours: The Fascination of the Exotic

Jessica Rawson (牛津大學(xué)

4 河南淮陽(yáng)北關(guān)1號(hào)漢墓殘畫(huà)像石及相關(guān)問(wèn)題

The Fragmentary Stone Relief Excavated from Han-Dynasty Tomb No.1 of Beiguan, Huaiyang, Henan Province and Relevant Issues

楊愛(ài)國(guó)(山東省石刻藝術(shù)博物館

5 冥間鬼怪:戰(zhàn)國(guó)和秦漢過(guò)渡期圖像觀的變化

The Presence of the Invisible: Changing Attitudes towards Images during the Warring States and Qin-Han Transition

來(lái)國(guó)龍(Florida University)

6 交通幽明--西漢諸侯王墓中的祭祀空間

Mediating the Dead and the Living: The Sacrificial Space in Western Han Princely Tombs

施杰(芝加哥大學(xué))

7 漢墓穹窿頂研究

The Dome of Heaven in Han tombs

Lukas Nickel(倫敦大學(xué))

8 重訪樓閣

Revisiting the Pavilion

繆哲(浙江大學(xué)藝術(shù)與考古研究中心)

9 從中國(guó)到埃及:理解異族人葬禮

From China to Egypt: Making sense of Foreigner Burials

Sascha Priewe(大英博物館亞洲部,中國(guó)藏品主管、韓國(guó)藏品協(xié)調(diào)主管)

10 關(guān)于北魏石棺床圖像與功能的再思

Rethink the Images and Function of the Stone Couches in the Northern Wei Dynasty

林圣智

11日本古墳壁畫(huà)中的四神與十二支像——以高松冢、龜虎古墳為中心

Image of Four Gods and Twelve Zodiac in the Murals of Ancient Japanese Tombs -With Takamatsu and Kitora Tombs as Emphasis

百橋明穗(神戶大學(xué))

12 隋唐墓出土的“古鏡”——兼論隋唐銅鏡圖文的復(fù)古問(wèn)題

Antique Mirror Excavated from Sui and Tang Tombs—also on the Inclination of Restoring Ancient Ways in the Decorative Patterns and Inions on Sui and Tang Bronze Mirrors

范淑英(西安美術(shù)學(xué)院美術(shù)史論系)

13 石槨線刻與粉本的形成方式——唐陵墓壁畫(huà)圖像來(lái)源的探討

Formation of the engravings and draft of Sarcophagus ——Discussion on the source of Mural Imagery in Tang Mausoleums

徐濤(陜西師范大學(xué)歷史文化學(xué)院)

14 墓主夫婦“開(kāi)芳宴”與唐宋墓葬風(fēng)氣之變

Kaifang Banquet of the Tomb Occupant Couple and the Changes of Burial Practices during the Tang and Song Dynasties

李清泉(廣州美術(shù)學(xué)院

15 寶山遼墓三題

Three Aspects of the Liao Tombs at Baoshan

巫鴻 (芝加哥大學(xué))

16 論“半啟門”

The "Half-Open Door" Image in Traditional Chinese Funerary Art

鄭巖(中央美術(shù)學(xué)院)

17 全真藝術(shù)與中國(guó)古代墓室壁畫(huà)的衰落

The Art of Quanzhen Taoism and the Decline of Chinese Tomb Murals

王玉冬(廣州美術(shù)學(xué)院藝術(shù)與人文學(xué)院)

18 明清帝陵的石供桌

The stone altar in Ming and Qing mausoleums

姚進(jìn)莊(西雅圖美術(shù)館、福斯特基金會(huì) )

19 漢畫(huà)作為“圖”的八種意義

The Eight Meanings of Han Arts as “Images”

朱青生(北京大學(xué))

「第三屆」

1 發(fā)現(xiàn)“宮臧”作品——對(duì)秦始皇陵一批陶俑的新認(rèn)識(shí)

The Seal of “Gong Zang”: A New Study on the Pottery Figurines in the Mausoleum of the First Qin Emperor

衛(wèi)星秦始皇帝陵博物院)

2 墓門與天門——從陜北東漢墓門到馬王堆帛畫(huà)的一個(gè)綜合考察

Tomb Doors and Heaven’s Gate: A Review from the Tomb Doors of the Eastern Han from Shanbei to the Mawangdui Tomb Silk Banner.

李清泉 (廣州美術(shù)學(xué)院)

3 仙馬、天馬與車馬:漢鏡紋飾拾遺

Immortal Horses, Heavenly Horses, and Chariot Horses: Notes on the Decoration of the Mirrors in Han China

曾藍(lán)瑩 (紐約大學(xué)古代世界研究所)

4 “超細(xì)讀”: 馬王堆一號(hào)墓中的龍、璧圖像

A “Super Close Reading” of Images of the Dragon and Bi-disk in Mawangdui Tomb No. 1

巫鴻 (芝加哥大學(xué)東亞藝術(shù)中心)

5 家族的延續(xù):四川東漢崖墓的結(jié)構(gòu)特點(diǎn)

Continuity of a Family: Characteristics of the Eastern Han Cliff Tomb Structure in Sichuan

陳軒 (牛津大學(xué)考古系博士在讀)

6 小橫山南朝畫(huà)像磚墓管窺

A Painted Brick Tomb of the Southern Dynasty in Xiao Heng Shan

韋正 (北京大學(xué)考古文博學(xué)院)

7 洞房石室與珉床雕戶——北朝墓室與佛教窟龕的關(guān)聯(lián)及南北關(guān)系試析

A Stone Chamber and its Decoration: An Analysis of the Relationship between the Tombs of the Northern Dynasty and the Buddhist Caves in the South and North China.

吳桂兵 (南京學(xué)歷史學(xué)系)

8 守望死者:波士頓美術(shù)館藏 北魏石棺床復(fù)原和視覺(jué)空間研究

Beholding the Dead: Reconstruction of the Stone Couch of the Museum of Fine Arts, Boston and the Study of Its Visual Space

徐津 (芝加哥大學(xué)博士在讀)

9 陵寢制度中百濟(jì)和高句麗的陵寺性格和遺址特征——與中國(guó)南北朝時(shí)代陵寺比較為中心

The Characteristic of Baekje and Koguryo Buddhist Temples around Tombs in the Mausoleum System Compared with Tombs of the Southern and Northern Dynasties

梁銀景 (韓國(guó)釜山大學(xué))

10 高句麗壁畫(huà)墓所表現(xiàn)的祖先祭祀類型與墓葬建筑和裝飾之關(guān)系

The Embodiment of Ancestor Worship within the Funerary Architecture and Decoration of Koguryo Tombs

樸雅林 (淑明女子大學(xué))

11 唐墓壁龕

On Tang Tomb Niches

劉昭慧 (普林斯頓大學(xué)東亞研究系)

12 西安地區(qū)新發(fā)現(xiàn)的唐墓壁畫(huà)述評(píng)

A Review of the Recently Discovered Wall Paintings of Tang Tombs in Xi’an

程旭 (陜西歷史博物館壁畫(huà)保護(hù)修復(fù)研究中心)

13 “恒在”中的葬儀:宋元時(shí)期中原墓葬中的儀禮時(shí)間

Funeral in the Permanent Present: Ritual Time in Middle-Period Tombs of North China

洪知希 (雪城大學(xué))

14 門窗、桌椅及其他:宋元磚雕壁畫(huà)墓的模式與傳統(tǒng)

Doors, Windows, Tables, Chairs and Others: The Pattern and Tradition of the Tile Carving and Wall Painting during the Song and Yuan Dynasties.

劉未 (人民大學(xué)歷史學(xué)系)

15 夕陽(yáng)西下——讀興縣紅峪村元代武慶夫婦墓壁畫(huà)札記

As the Sun Sets: Notes on the Yuan Dynasty Wall Painting in Wu Qing and His Wife’s Tomb in Hong Yu Village, Xing Xian

鄭巖 (中央美術(shù)學(xué)院)

16 四川北部片區(qū)明清墓碑建筑考察報(bào)告

A Report on the Tombstones in Ming and Qing Tombs

羅曉歡 (重慶師范大學(xué)美術(shù)學(xué)院)

17 漢代墓葬圖像著錄的術(shù)語(yǔ)與專詞研究

A Study on the Terminology of Images in Tombs of the Han Dynasty

朱青生 (北京大學(xué))

「第四屆」

第一場(chǎng) 結(jié)構(gòu)和方法

Section 1:Structure & Methodology

1 關(guān)于墓葬問(wèn)題研究的框架結(jié)構(gòu)

Research Frameworksfor the Analysis of Tombs

朱青生與漢畫(huà)研究所 (北京大學(xué)歷史系)

2 墓室的建筑空間:從視覺(jué)性的“像”到物質(zhì)性的“想象”

Architectural Space of Tombs: From Visual “Image” to Material “Imagination”

3 “技術(shù)美術(shù)史”視野下的中古墓葬陶俑

Medieval Ceramic Tomb Sculpture from the Perspective of "Technical Art History"

王玉冬 (廣州美術(shù)學(xué)院)

第二場(chǎng) 中外陵墓研究

Section 2 Tomb Studies in China and Other Countries

4 托勒密埃及神廟與陵墓的趨同

Convergence of Forms of Egyptian Temples and Tombs the in Ptolemaic Dynasty

顏海英 (北京大學(xué)歷史系)

5 戰(zhàn)國(guó)中山王墓研究:一種藝術(shù)史的視角

The Zhongshan Imperial Mausoleums of the Warring States Period: A Study from the Perspective of Art History

莫陽(yáng) (中國(guó)社會(huì)科學(xué)院考古研究所)

第三場(chǎng) 漢代墓葬的建筑與圖像

Section 3 Architecture and Pictorial Imagery in Han Period Tombs

6 關(guān)于漢代磚室墓?fàn)I造的幾點(diǎn)問(wèn)題

The Emergence of Brick Architecture in Han China

倪克魯 (倫敦大學(xué)亞非學(xué)院)

7 渠縣漢闕的初步調(diào)查

A Preliminary Investigation of “Que” Towers of the Han Dynasty in Quxian County

秦臻 (四川美術(shù)學(xué)院

8 《漢畫(huà)總錄》南陽(yáng)卷未發(fā)材料和未來(lái)處理方案

Report:Unpublished Materials for the Catalogue of Han Art (Nanyang)and Plans for Future Publication

《漢畫(huà)總錄》編輯部

第四場(chǎng) 六朝墓葬中的繪畫(huà)與文字

Section 4 Paintings and Inions in Tombs of the Six Dynasties Period

9 六朝墓葬中的反書(shū)銘文現(xiàn)象

“Mirror Writing” in Tombs of the Six Dynasties Period

梅田中國(guó)人民大學(xué)歷史學(xué)院)

10 線刻、石材與畫(huà)風(fēng)——芝加哥藝術(shù)博物館藏石棺床圍屏研究

Line Carving, Material and Style: A Study of Two Mortuary Stone Panels inthe Art Institute of Chicago

徐津 (芝加哥大學(xué))

11 讀國(guó)博新入藏北朝房形槨札記

Interpreting Notes on the Newly Acquired House-shaped Outer Coffin in the National Museum of China

孫博(國(guó)家博物館

第五場(chǎng) 唐代墓葬與繪畫(huà)史

Section 5 Tang Dynasty Tombs and the History of Chinese Painting

12 唐代的掛畫(huà)和仿掛畫(huà)墓葬壁畫(huà)——兼談立軸的起源

Tang Dynasty Hanging Paintings and Their Imitations in Tomb Murals: With Additional Thoughts on the Origin of Hanging Scrolls

巫鴻 (芝加哥大學(xué)東亞藝術(shù)中心)

13 唐代山水畫(huà)風(fēng)格蠡測(cè)——以墓葬出土圖像為主要依據(jù)

Tang Dynasty Landscape PaintingStyle: A Preliminary Inquiry Based on Excavated Images

李星明(復(fù)旦大學(xué)

14 唐韓休墓壁畫(huà)樂(lè)舞圖的語(yǔ)言與意象

The Language and Imagery of Dancing and Music Scene in the Tang Dynasty Murals of the Han Xiu Tomb

鄭巖 (中央美術(shù)學(xué)院)

第六場(chǎng) 唐代墓葬與物質(zhì)文化

Section 6 Tomb and Material Culture of Tang Dynasty

15 法門寺真身寶塔地宮出土“隨求”與舍利瘞埋制度

The “Sui Qiu” Excavated in the Underground Palace of the Famen Pagoda and Relic Burial Customs

霍巍 (四川大學(xué))

16 媒材的競(jìng)爭(zhēng):唐三彩與唐代墓葬制度

Rivalryof material and medium:Tang Three-color Glazed Pottery and the Burial System of the Tang Dynasty

徐胭胭 (清華大學(xué)美術(shù)學(xué)院)

第七場(chǎng) 宋元墓葬美術(shù)與觀念

Section 7 The Art of Song and Yuan Dynasties Tombs and their Conceptualization

17 墓葬與死者之間——叩問(wèn)壺關(guān)上好牢1號(hào)墓的話語(yǔ)邏輯

Between the Tomb and the Dead:The Language Logic of Shanghaolao Tomb No.1, in Huguan County

李清泉(廣州美術(shù)學(xué)院)

18 死生之間——小議蒙元時(shí)期墓室營(yíng)造中的陰陽(yáng)互動(dòng)

Life and Death: A Study of the Interaction between the Living and the Dead in the Construction of Tombs of Mongol-Yuan Period

袁泉(首都師范大學(xué)歷史學(xué)院)

「第五屆」

第一場(chǎng) 墓葬美術(shù)的方法與技術(shù)

Section 1: Methods and Technologies of Tomb Arts

1 地上和地下之間:重新考慮“墓葬”的含義

Between the Aboveground and Underground: Reconsidering the Implications of “Tomb”

巫鴻(芝加哥大學(xué)東亞藝術(shù)中心)

2 唐代墓俑的制度與想象

Regulations and Imagination of Tang Funerary Figurines

林偉正(芝加哥大學(xué)藝術(shù)史系)

3 漢畫(huà)總錄沂南卷編輯

Compiling the Catalogue of Han Art (Yinan Volumes)

朱青生(北京大學(xué)歷史系)

4 數(shù)字化變革對(duì)漢畫(huà)研究的影響和思考

Reflection for Impacts of Digital Innovations on Han Art Studies

劉冠(北京大學(xué)漢畫(huà)研究所)

第二場(chǎng) 禮儀、文字與美術(shù)

Section 2: Rituals, Words, and Arts

5 荊牢與特?!艽郎w系的變革

“Jinglao” and “Teniu”: The Transformation of Sacrificial Rites of the Zhou Dynasty

張聞捷(廈門大學(xué)歷史系)

6 從“衣物簡(jiǎn)”到衣物疏——遣策與西漢的喪葬禮儀

From "Clothes Strips" to Yiwushu: Western Han Inventories and Funerary Rites

田天(首都師范大學(xué)歷史學(xué)院)

7 楚墓神煞中的太一出行

Taiyi Chuxing (The Grand One Sets Out an Errand) in the Chu Tombs’ Shensha Figurines

沈睿文(北京大學(xué)考古文博學(xué)院)

8 永恒的代價(jià)——漢墓美術(shù)中的“變形記”

The Cost for Eternality: “Metamorphosis” in the Tomb Arts of the Han Dynasty

王煜(四川大學(xué)歷史文化學(xué)院)

第三場(chǎng) 文化交流與比較

Section 3: Cultural Exchanges and Comparisons

9 西漢時(shí)期中原地區(qū)的異族墓葬

Non-Chinese Tombs in China’s Central Plain during the Western Han

倪克魯(維也納大學(xué)藝術(shù)史系)

10 昭陵十四蕃君長(zhǎng)像的形塑

Shaping the Sculptures of Fourteen Tribal Chiefs in Zhao Mausoleum

耿朔(中央美術(shù)學(xué)院人文學(xué)院)

11 寂路回響——烏爾“琴語(yǔ)”及蘇美爾葬儀初探

The Sound of Silence: The Musical and Pictorial “Languages” of the Ur Lyres and Some Preliminary Thoughts on Sumerian Burial Rites

賈妍(北京大學(xué)藝術(shù)學(xué)院)

12 孝子與山水——論元代墓葬中的孝行故事圖

Filial Sons and Landscape Settings: Illustrations of Filial Paragons in Yuan Tombs

鄧菲(復(fù)旦大學(xué)文史研究院)

第四場(chǎng) 中古繪畫(huà)的新視野

Section 4: New Visions in the Middle-Period Paintings

13 徐州白集漢墓“趙氏孤兒”內(nèi)容畫(huà)像石的甄別及其意義

Discerning the Stone Relief Image of “the Orphan Zhao” from a Han Tomb in Baiji, Xuzhou, and its significance

朱滸(華東師范大學(xué)美術(shù)學(xué)院)

14 河北平山縣王母村唐代崔氏墓的發(fā)現(xiàn)

The Discovery of the Chui Tomb of the Tang Dynasty in the Wangmu Village, Pingshan County, Hebei, and Related Research

韓金秋(河北省文物研究所)

15 心橋——墓葬美術(shù)中的一個(gè)“連接”符號(hào)及其兩端

The Mind Bridge—A “Linking” Sign and Its Two Ends in Tomb Arts

李清泉(廣州美術(shù)學(xué)院藝術(shù)與人文學(xué)院)

16 五星入地——江蘇溧陽(yáng)北宋李彬墓與唐宋五星鎮(zhèn)墓信仰

Five Stars Entering the Ground: The Tomb of Li Bin from the Northern Song Dynasty in Liyang, Jiangsu, and the Belief of Five Stars in Protecting Tombs from the Evil during the Tang-Song Period.

莊程恒(復(fù)旦大學(xué)文史研究院)

第五場(chǎng) 身份、區(qū)域及其他

Section 5: Identity, Region, and Others

17 反思宋代“文人墓”

Reconsidering Song “Literati Tombs”

陳云倩(德克薩斯州大學(xué)奧斯汀分校)

18 死亡藝術(shù)的地域性建構(gòu)——遼代西京的喪葬文化

Localizing the Art of Death: Funerary Culture in the Western Capital during the Liao Dynasty

洪知希(加拿大麥吉爾大學(xué))

19 死后的行營(yíng)——遼慶東陵中的四季山水圖再議

Camp for Posthumous Life: Spatial Conceptions of the Liao Imperial Tomb

陸騏( 北卡羅來(lái)納大學(xué)教堂山分校)

20 龍缸與烏盆——器物中的靈與肉

Dragon Jar and Black Basin: The Soul and Flesh Inhabited in Utensils

鄭巖(中央美術(shù)學(xué)院人文學(xué)院)

「第六屆」

1 兩周墓隨葬青銅編鐘管見(jiàn)

A New Insight into the Bronze Chian-bells Buried for the Tombs in the Zhou Dynasty

蘇榮譽(yù)(中國(guó)科學(xué)院自然科學(xué)史研究所)

2 北齊婁叡墓墓道壁畫(huà)再思考

Reconsideration about the Murals in the Tomb Tunnel of Lou Rui, the Northern Qi Dynasty

鄭巖(中央美術(shù)學(xué)院)

3 東漢人形木牘與鎮(zhèn)墓符箓

A Human-shaped Wooden Slip and Tomb-quelling Talismans of the Eastern Han Dynasty

陳亮(維也納大學(xué))

4 高禖圖像再讀:方相氏作為引路神

A Rereading of the Images Related to Gaomei: Fangxiangshi as the Guiding Deity

練春海(中國(guó)藝術(shù)研究院美術(shù)研究所)

5 大英博物館藏漢代人像磚柱出土?xí)r地與性質(zhì)功能

The Burial Context and Function of the Human-Shaped Brick Pillar from the Han Dynasties in British Museum Collections

宏偉中國(guó)國(guó)家博物館

6 從相關(guān)個(gè)案探討漢代建筑圖像研究方法

Research Methodology on Architectural Image of the Han Dynasty with Cases Study

劉冠(北京大學(xué))

7 凝固之氣:博山爐形名再思考

Solidified Qi Clouds: A Reinterpretation of the Form and Name of Boshan Incense Burner

張瀚墨(中國(guó)人民大學(xué))

8 漢代墓葬的觀念結(jié)構(gòu)和形相邏輯——和林格爾壁畫(huà)墓再認(rèn)識(shí)

Conceptual Structure and Image Logic of Tombs in Han Dynasty: Rethinking Tomb Helinge'er

朱青生(北京大學(xué))

9 升仙還是成佛?—北魏平城墓葬的空間設(shè)計(jì)與圖像選擇

To be Immortal or Buddha? —the Space Design and Image Selection of Tombs at the Capital of Earlier North Wei Dynasty (4th century)

李梅田(中國(guó)人民大學(xué)歷史學(xué)院)

10 馬王堆一號(hào)漢墓帛畫(huà)三題

Three Topics on Silk Painting of Mawangdui Tomb No.1

韋正(北京大學(xué))

11 磚上的“畫(huà)框”:試論襄陽(yáng)南朝畫(huà)像磚墓的年代問(wèn)題

Frame on the Brick: A Discussion on the Age of the Brick-Chambered Tombs in Xiangyang

莫陽(yáng)(中國(guó)社會(huì)科學(xué)院考古研究所)

12 何嗟夭壽——李靜訓(xùn)墓的情感表達(dá)

“Alas, how sad it is that your life was truncated”—Emotion in the Li Jingxun Tomb

林偉正(芝加哥大學(xué)藝術(shù)史系)

13 唐燕妃墓屏風(fēng)壁畫(huà)相關(guān)問(wèn)題的討論

Study about the Murals of Screen in the Tomb of Yan Concubine,Tang Dynasty

賀西林(中央美術(shù)學(xué)院)

14 山西壺關(guān)上好牢1號(hào)墓話語(yǔ)邏輯的再考察——以相撲圖和雜劇演樂(lè)圖為核心

Whoes Story Is It?: Re-contexualizing A Tomb at Shanghaolao, Huguan, Shanxi Province, by Focusing on Two Subject Maters of Murals from It

李清泉(廣州美術(shù)學(xué)院藝術(shù)與人文學(xué)院)

15 山西壺關(guān)上好牢宋墓的裝飾、色彩與空間研究

Research on the Decoration, Color and Space in the Tomb of the Song Dynasty in Shanghaolao Village, Huguan, Shanxi

李路珂、熊天翼(清華大學(xué))

16 何以為古?——從北宋呂大臨墓出土的一對(duì)石敦談起

How to Return to the Ancients and Present the Past?--Examples from A Pair of Stone Dui Excavated in the Tomb of Lv Dalin

胡譯文(中央美術(shù)學(xué)院)

17 鏡像:湖南長(zhǎng)沙“劉氏七娘”鏡研究

Mirror Images: A Study of the Liu Qiniang Mirror from Hunan Changsha

徐胭胭(湖南工業(yè)大學(xué))

18 金扇:明代墓葬與中日交流

Golden Fan:Ming Dynasty Tomb and China-Japan Exchange

吳雪杉(中央美術(shù)學(xué)院)

19 從紙?jiān)?/a>明宅到石刻陰宅:重新思考十九世紀(jì)陜西大荔李氏家族墓的視覺(jué)性

From Paper House to Stone House: Rethinking Visuality of Dali Li Clan Tombs in Shaanxi during the Nineteenth Century

李雨航(威斯康辛大學(xué)麥迪遜分校)

20 觸覺(jué)景象:重建中古中國(guó)墓葬空間的閾限性

Tactile Vision: Reconfiguring the Liminality of Burial Space in Middle-Period China

洪知希(加拿大麥吉爾大學(xué))

21 考古和美術(shù)史?學(xué)科方法的反省

Archaeology and Art History? – Reflections on Disciplinary Methods

鄭如珀(歐柏林學(xué)院美術(shù)史系)

22 作為方法論的墓葬

Tomb As Methodology

巫鴻(芝加哥大學(xué)東亞藝術(shù)中心)

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